"I love how the colours and gradients have turned out in this piece. I wanted to create something colourful and almost abstract, but with a soft, warm and magical vibe to it.

This is a piece that I think would work at any size, whether blown up big or small, it brings a touch of mysticality to any space, without being too on the nose."

"A collage aiming to capture the natural beauty and wonder which we experience in nature. As a young child we experience these moments frequently; a privilege we often outgrow. I enjoy blurring the lines between reality and dreams by mixing familiar imagery with vivid colours and unbounded forms."

"Fluorite Alright was created in response to effects that deforestation and the wider carbon footprint of mankind are having on our wildlife, featuring photographs I captured in Hong Kong in 2016."

"I need not an aeroplane of strangers and a hotel room’s dodgy air-con to bring the four corners of my mind to the surface. I form cultures of my own from my soul and travel miles in the premise of my own bones.” Travel The Earth is an exploration of what it means to go on a journey without having need to step foot outside of yourself.”

"This was a light painting I did with a pure white light in a very dark room, then I combined it with my love for neon lights and manipulated it to look like lips. This is much simpler than I usually go for, but I guess sometimes less is more!"

"This piece came about as a response to a lot of people experiencing cabin fever. The blending of hours into days, no longer knowing what day of the week this is. The subject is actually my wife, who hasn't left the house in roughly three weeks. Time no longer has any meaning, and emotions are hard to describe."

“Part of my studio practice is having multiple paintings to work on at the same time, some intentionally more experimental and expressive than others - often working from no reference image. In this piece I was utilising the flow of oil paint, layering colour and texture to create something transient – smoke or mist, or light rippling on the surface of water.” - Part of a series relating to phases of matter – solids, liquids, gases, and others.

“Painted from a photograph I took at the calcified waterfall and hot springs at Bagni San Filippo, Italy. A solid white cascade that resembles snow or ice in form, streaked with peach and pink. It was one of the strangest places I’ve been, a beautiful alien landscape that looks frozen despite the baking hot sun.” - Part of a series relating to phases of matter – solids, liquids, gases, and others.

"A dreamy escape into a pink paradise. I wanted this design to have a serene and still feeling when you look at it, as if you were swept away onto this balcony feeling the heat of the giant sun. My wanderlust for exploring new places and seeing new views definitely contributed to this piece. If I could tell you where it was, I would! I used a block colour style to keep the design simplistic but bold with use of colours."

"A portal of hope. A gentle reassurance that even if you aren’t currently ready to cross through, if you’re currently struggling, the pastel dream door will always be waiting for you."

"Where I think of being when the grind of daily life gets too much. No phone signal, no traffic, no judgements."

"This illustration is my reaction to a photo prompt made by Still Here Still Life, an initiative run by illustrators Zena Kay and Tess Smith-Roberts. The still life prompt caught my eye due to the rich, bright colours and delicious props. I turned the red gingham cloth into a picnic blanket overlooking a quiet, peaceful landscape, topped with an isolated house on a hill. These elements are becoming repetitive symbols in my work, indicating my need for space, solitude and escape, while remaining hopeful about the future through my use of bright and playful colours. In creating this work I experimented with new techniques and styles, looking for an equilibrium between my interest in both analogue and digital methods of image making."